As an accomplished public artist having completed, over the past thirty years, many large-scale commissions for public art agencies, private clients, museums, and universities, I am adept at collaborating with a wide range of people and agencies with unique parameters. My work is grounded in responding to the environment – both the physical site of each project and the abstract geometry of the natural world – and community engagement – through how my sculptures respond to the real world and its larger social implications.

My large-scale public sculptures are inextricably site specific and emphasize relational existence of form within contexts of material, process, public space, and collaboration. My working methods employ carefully conceived structural processes, which combine cutting edge digital technologies with custom craftsmanship, all grounded in empirical knowledge and experimentation. Natural geometries and systems - plant spores, seashells, honey-comb - inspire my sculptures; and through my process of packing and stacking of conic and cylindrical steel forms, simple rules give rise to extraordinary complexity.  The individual parts, of each sculpture, form a community of similar, yet distinct, dependent elements, which give shape to an aesthetic, structural, and material ecosystem.